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The Music Room

The Music Room

Watch again on YouTube: Part I, Part II or on Vimeo: Part I, Part II

Download a PDF of the programme notes here.

In Episodes 11 and 12 of The Music Room, the Dante Quartet performs Beethoven’s great Opus 130 and the Große Fuge Opus 133 with actor David Timson as the voice of Beethoven.

Beethoven

In the two-part finale to The Music Room series, the Dante Quartet and actor David Timson explore two of Beethoven’s late quartets, Op. 130 and Op. 133, the titanic Große Fuge. As the voice of Beethoven, David Timson brings to life this remarkable, personal and profound music in a narrative by writer Clare Norburn. The quartet is performed complete, while the narrative, formed from original source material interwoven with Norburn’s creative writing, casts a new light both on the music and on Beethoven as a human being.

The Dante Quartet was recorded ‘as live’ in August 2020 in St Mary’s Church, Shrewsbury. David Timson’s narrative was recorded from lockdown at his home studio.

The Dante Quartet

Dante Quartet

The Dante Quartet, one of the UK’s finest ensembles, is known for its imaginative programming and impassioned performances. The quartet was founded in 1995 and chose its name to reflect the idea of an epic journey. The Dante Quartet has been honoured with the Royal Philharmonic Society Award for Chamber Music and has also received international awards for its recordings.

Frequently heard on Radio 3, the Dante Quartet has appeared many times at London’s Wigmore Hall and Kings Place, as well as at the UK’s foremost festivals and music societies. Abroad, the quartet has played in France, Germany, Holland, Spain, Switzerland, Finland, the Czech Republic and Poland, and has twice toured Japan.

From the start of 2020, cellist Richard Jenkinson has taken the Quartet forward with three new members, violinists Zoë Beyers and Ian Watson, and violist Ben Newton. Their inaugural concert in January was hailed as ‘superb’ and ‘truly exceptional’ in the press.

The recording of Beethoven String Quartets Op. 130 and 133, made in August 2020, marks the first time the Dante Quartet has been able play together since lockdown.

David Timson

David TimsonDavid trained at Guildhall School, winning the BBC Student Prize in 1971. He has since made over a thousand broadcasts, from the title role in Nicholas Nickleby to The Archers. He has appeared in classical and modern plays across the UK and abroad. TV and film work includes Eastenders, Casualty, Poirot, The Russia House with Sean Connery, and Topsy-Turvey with Mike Leigh.

David has worked regularly for Naxos AudioBooks as actor, director and writer. Recordings include the complete Sherlock Holmes stories, five Dickens novels and, as director, five Shakespeare plays.

In 2001 he won the Spoken Word Publishers Association Awards for Best Original Production for writing The History of Theatre, and Best Drama Production for directing Richard III. In 2002 he won Audio Book of the Year for his reading of A Study in Scarlet. Other directing work including Bequest to the Nation, An Ideal Husband, Cyrano de Bergerac, The Deep Blue Sea, Faust and The Marriage of Figaro.

David has taught at RADA since 2004, specialising in sight-reading and microphone technique.

Clare Norburn

Clare NorburnClare Norburn is a playwright and soprano. She studied music at Leeds University and London College of Music. She has sung as a soloist with many medieval ensembles including her own group The Telling, Mediva (who were finalists in the York International Young Artists Competition and selected for Southbank Centre’s Fresh Young Artists Series), Eclipse and Vox Animae with whom she has recorded and performed medieval abbess, Hildegard of Bingen’s music drama Ordo Virtutum. She has performed throughout the country as a soloist including at The Purcell Room, The Bridgewater Hall and at leading festivals including Spitalfields Music, Brighton Festival, Newbury Spring Festival and Buxton Festival.

Since 2010 Clare has been developing a new genre of concert/plays for actor(s) with live music. Her Beethoven’s Quartet Journey (a cycle of 6 concert/plays to accompany a full cycle of all Beethoven’s string quartets) was developed with funding from Arts Council England with the full cycle premiered in Lympstone, Devon. It was featured on Radio 4’s Today programme.

Clare’s third concert/play, Breaking the Rules, received a 4-star review in The Guardian: “vivid and daring one-man psychodrama”. It is a collaboration with vocal ensemble The Marian Consort, with actor Gerald Kyd as composer and murderer Carlo Gesualdo, directed by Nicholas Renton. She has written three shows about women (including the medieval Abbess Hildegard of Bingen) for her medieval group The Telling.

The performances – to be broadcast on YouTube or on Vimeo from 19:30 (UTC) on Friday, 27th November – will be followed on Tuesday 1st December by a Zoom Q&A session at 20.30 (UTC). If you would like to take part, please email  for the meeting invitation.

Watch again on YouTube or on Vimeo

Download a PDF of the programme notes here.

The tenth of Zoë Beyers' conversations in The Music Room is with Shropshire-based international composer Luke Bedford.

Luke Bedford

Luke Bedford, a composer of international renown, has written a piece for solo violin, Double Prelude, specifically for Episode 10 of The Music Room. Zoë and Luke will be discussing the inspiration behind Double Prelude and the art and method of Luke’s compositional process. The programme will feature the world première of the work, which juxtaposes the sonority of Bach’s solo violin music with fleeting, lilting snatches of dream-like melody.

Watch again on YouTube or on Vimeo

Download a PDF of the programme notes here.

The ninth of Zoë Beyers' conversations in The Music Room is with author Natalie Cumming.

Natalie Cumming

In this episode, Natalie Cumming shares a deeply moving account of her family members’ experiences in World War II and the violin that binds their stories together. Young Greek violinist Ezo Sarici, who played Natalie’s violin at the Menuhin School, adds her voice and her music to the programme.

The Fiddle is a true story, tracing a precious violin across landscapes devastated by war and terror, to safety and restoration in 21st century Britain. Abraham and his family flee the Bolsheviks in 1917, from St. Petersburg to Odessa and safety in the UK. Abraham’s skill on the violin earns them food and lodgings, as they struggle on foot through the freezing Russian winter.

Watch again on YouTube or on Vimeo

Download a PDF of the programme notes here.

Dynamic young Shropshire-born conductor Ben Gernon talks to Zoë Beyers' in the eighth conversation in The Music Room.

Ben Gernon

One of the youngest conductors ever to hold a titled position with a BBC orchestra, Ben Gernon was appointed Principal Guest Conductor of the BBC Philharmonic Orchestra in 2017. His rise from student at the Guildhall to one of the brightest lights of the young generation of conductors has been nothing less than meteoric, but Ben’s wise head and infectious sense of humour - also hallmarks of his conducting - have stood him in good stead during lockdown. He talks openly about his experiences as a young conductor in the music industry, the challenge of persuading 80 people to play together, and what really matters to him in music.

Watch again on YouTube or on Vimeo

Download a PDF of the programme notes here.

Catherine Arlidge, MBE, Artistic and Educational Director of the National Children’s Orchestras of GB talks to Zoë Beyers in the seventh conversation of The Music Room series

Catherine Arlidge, MBE

“Catherine Arlidge is not only one of our most inspiring, valued and unstinting musicians but also one of our strongest and most idealistic personalities.” – Sir Simon Rattle.

Catherine is a ‘portfolio’ musician, performing many roles including Artistic and Educational Director of the National Children’s Orchestras of GB, CBSO Violinist, Concert Presenter and founder member of The Stringcredibles.

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